3.6.2. Symbolic significance of obsidian

Inferring the symbolic significance of obsidian in the prehispanic Andes involves approaching the topic from a several lines of evidence because there are few direct indicators of valuation and symbolic meaning of obsidian in the Andes. Below, these issues are raised as a series of questions that may, or may not, be answered with archaeological evidence from the region:

(1) How did the symbolic importance of obsidian change through prehistory?

(2) Do changes in use of obsidian reflect local geographic availability?

(3) Did the visual properties of obsidian resonate with Andean aesthetic traditions?

(4) Was there social significance in the visible differences between major obsidian types?

Part of the difficulty in inferring the symbolic properties of obsidian is the result of a relative reduction in the importance of obsidian during the Late Horizon and Colonial period, to judge from ethnohistoric accounts. Ethnohistoric sources are a prime source of information, although through Spanish eyes, of cultural significance and symbolic value in the prehispanic Andean world. Despite the apparent decline of obsidian use in the late Prehispanic and Colonial periods, archaeological distributions suggest that obsidian had substantial cultural and ceremonial associations in particular contexts during in Prehispanic times.

How did the social and symbolic importance of obsidian change through time and space?

Obsidian flakes and bifacial tools were sometimes included as grave goods from the Terminal Archaic (3300 cal BCE) and onwards. Ethnohistoric accounts and archaeological evidence indicate that obsidian "knives" were employed in ritual practice as well as in medical procedures throughout the region, although it is not evident if these were bifacially-flaked tools or simply freshly struck flakes. In addition, concentrations of flakes of quartz as well as obsidian from a variety of non-local sources were found in the Tiwanaku ceremonial mound of Mollo Kontu in a regular pattern that was interpreted by Couture (2003) to indicate deliberate inclusion in clay fill rather than accidental redeposition.

Based on analogy from other goods, it is possible that in areas where obsidian is used in ceremonial contexts a finely-made obsidian implement may have been less likely to have been exchanged as an alienable product traded in barter. In some historical contexts, a ritual item may become a singular item and acquire a distinctive 'genealogy' related to its social history that precludes it from being bartered and circulated in equivalence for something ordinary such as a sack of potatoes (Hodder 1982;Kopytoff 1986).

However, on the whole, obsidian appears to be one of a number of products that escapes easy classification. On one hand, obsidian circulated in established networks controlled by llama caravan drivers who were responsible for the distribution of a variety of goods on the altiplano. These caravans appear to have been organized by households and derived communities of relatively humble means, to judge from other aspects of their material lives excavated at sites like Qillqatani. On the other hand, as a luminescent material with irregular spatial availability, obsidian had properties that qualify it as a "prestige good" in many contexts (Hayden 1998). In terms of rituals organized and performed on a local level, obsidian was probably one of a number of materials that were traditional but non-the-less slightly rare like ochre and shell. Craig (2005: 683-693) explores the evidence for the symbolic importance of discrete color groups in ritual items like ochre and obsidian in the Titicaca Basin Archaic and Formative site of Jiskairumoko by examining the patterning of obsidian and ochre in comparison to what were common-place, functional applications of these goods.

From the perspective of early aggrandizers in the Terminal Archaic and Formative Lake Titicaca Basin, obsidian probably represented a somewhat elusive product for labor investment and therefore was not a principal substance used in elite strategies by the time of the Middle and Late Formative. From the perspective of prestige technologies serving the agenda of aggrandizers by locking up surplus labor (Hayden 1998), the issue might be considered in terms of the following factors:

(1) Obsidian was relatively easy to acquire, perhaps too easily acquired, for the people living in the highlands of Arequipa; and it was not concentrated in specific, controllable points accessed only through mine shafts.

(2) Obsidian has functional properties that assured its continued circulation for the production of cutting and piercing implements, making it insufficiently rare to have served as a "preciosity" (Clark and Blake 1994;Goldstein 2000).

(3) While craft specialization was fostered in more closely-controllable contexts in regional centers during the Formative, obsidian sources were perhaps sufficiently distant to have escaped this kind of specialized craft production. In contrast, consider the various non-utilitarian obsidian products made by craftspeople in Mesoamerica, discussed above.

(4) As obsidian was primarily made into projectile point tips, it was perhaps associated with hunting, or the threat of violence. In some regional traditions, such as in Nasca iconography, obsidian appears to have been associated with trophy head taking. However, in the south-central Andean highlands there is no evidence of a direct association between violence, emerging leadership, and control of surpluses along the lines of Hayden's (1995) despotic leader model.

Obsidian products, particularly finely-made bifacial tools, were perhaps one of a series of items that served to differentiate status-seeking individuals in early transegalitarian contexts, but with later crafts investment obsidian appears to have been assigned a relatively specific role for projectile point production and for cutting implements.

Do changes in use of obsidian reflect local geographic availability?

One way to examine the social and symbolic significance of obsidian is to examine the changing use of the material as availability declines with distance from the geological source. To judge from the distant consumption zone, obsidian was used in both mundane contexts and also in ritual or ceremonial contexts. At Tiwanaku, obsidian was found dispersed into the fill of ceremonial mounds (Couture 2003). It is also sometimes found in Titicaca Basin burials as of the Terminal Archaic. As reported by Craig (2005: 570-574, 679-682), at Jiskairumoko and at other sites in the Ilave valley, obsidian has been found in burials dating to 3300 cal BCE and later along with other non-local goods including lapis lazuli (sodalite) beads, gold discs, and gold beads, as well as ritual items like a camelid effigy made from bone. If the associations of obsidian with ritual power were related to its non-local origins, one might expect this pattern to have been weaker in closer proximity to the Chivay source. Items from ritual contexts, such as grave goods from the Colca Valley, and in close proximity to the Chivay obsidian source, may provide data to test this hypothesis.

Do the unusual visual qualities of obsidian resonate with Andean traditions?

Andean traditions place a priority on visual attributes, and links between the visual purity of a material and its essence have been widely noted in some segments of the Andean literature. As a natural glass, the aqueous properties of obsidian cause the material to reflect light which may display the workmanship of obsidian artifacts, as well as the potential sharpness of obsidian tools. Obsidian used for prehistoric tool production was often a homogeneous glass that was visibly consistent, pure in color, and sometimes transparent or banded. The importance of visual qualities of metals in the Andes has received greater attention:

The social arena in which metallurgy received its greatest stimulus in the Andes was the arena dominated by status and political display. An underlying cultural value system that appears to have strongly influenced the visual manifestation of status and power was a color symbolism oriented around the colors of silver and of gold. The most innovative and interesting aspects of Andean metallurgy arose from attempts by Andean metalsmiths to produce metallic gold and metallic silver surfaces on metal objects that were made of neither metal (Lechtman 1984: 15).

In Andean metallurgy, the appearance of consistency in color, reflectivity and material was prioritized because visual characteristics conveyed information about the inherent essence and animation of the object (Lechtman 1984: 33-36).

There is little direct support in Andean archaeological or ethnohistorical sources for inference regarding how obsidian was perceived, but it would be consistent for obsidian, a stone with the appearance of watery luster, to be associated with ceremonial power and ritual sacrifice given the well-demonstrated importance of stone and water in Andean cosmology.

Were the visual differences between obsidian types in the Andes important?

Visible differences between obsidian chemical types in the region are principally in terms of nodule size, fracture characteristics, glass color, and cortex. While nodule size and fracture characteristics are believed to have been important determining factors in explaining which obsidian types were circulated widely in prehistory (Burger, et al. 2000: 348), glass color is more of visual aesthetic issue. The obsidian sources in the south-central Andes are predominantly black or grey. Obsidian from the Chivay source is often a transparent grey and banded, and Quispisisa obsidian sometimes has a red coloration, although Burger et al. (2000: 314) state that the Quispisisa type is visually indistinguishable from Alca obsidian. As with many goods with discrete places of origin, these visual differences communicate information about the spatial origin of the stone that would have visually linked the material with regions and socio-political groups to knowledgeable viewers. To Brooks (1998: 452;1997) the transparency of Chivay obsidian was a reason for its wide circulation in prehistory. Others have commented on the transparency of the material including Giesso (2000;2003), and Burger et al (2000: 296). Giesso (2003: 368) observes that archaeological and ethnographic evidence from the Andes indicate that "transparent elements were viewed as mediators between different cosmological worlds". Further study may permit evaluation of observed patterns in the contexts of obsidian use that are linked to color.

Discussion

The social and ritual significance of obsidian in particular prehispanic Andean contexts appears to have varied across time and space, and with further research in the region into evidence of production and consumption these differences will be better understood. Archaeologists have established that the visual attributes of particular materials like metal were important in the late Prehispanic Andes. If this mode of interpretation may be extended, high quality obsidian shares some visual characteristics with metal such as shininess and an appearance of material purity. Furthermore, obsidian from particular areas was often visually distinct and this may have conveyed information in regions such as Moquegua where a variety of obsidian types have been encountered. Obsidian was irregularly available across the landscape, and the mere possession of this highly visible material in obsidian-poor regions had possible social significance because it suggested that the holder participated in long distance exchange networks or had alliances with groups in obsidian-rich areas.